Two copies of the Takeji Asano woodblock print Spring in Daigoji Temple have been added to the gallery. As can be seen in the images uploaded both prints have creasing to them. Spring in Daigoji Temple (B) I knew was lightly creased when I purchased it while the print Spring in Daigoji Temple (A) was in good condition but was damaged in transit due to very inadequate packing (ie. none!). The creases on the print match exactly those of the very very thin cardboard envelope it was placed in. I sent both prints off to a paper conservator and after being attended to they are both now in uncreased and cleaned condition – $75 dollars well spent.
I’ll replace the current images with new ones showing the uncreased prints and add additional images in the Description for the prints so there is a before and after record.
| Spring in Daigoji Temple (A) | Spring in Daigoji Temple (B) |
I’ve listed both copies of this woodblock print as First Editions based on the fact that both contain the date in the lower left margin which does not appear on later editions. The dates on the prints are different and I’ll try to get those translated. Also interesting is the fact that the Unsodo publisher seals and the Printer seals are different. The Unsodo publisher seal on Spring in Daigoji Temple (A) is the longer circa 1947 style seal while copy (B) has the shorter more common 1950-2000′s seal. While the printer seals are different they both appear to be Shinmi Saburo. If time permits I’ll try to do more research on this. The carver for both prints was Nagashima Michio.
Spring in Daigoji Temple – Copy A seals
Spring in Daigoji Temple – Copy B seals












